Briana loves to make botanical illustrations, surface patterns, and paper dolls. She begins every project by painting from life. While she walks by the sea and hikes in the woods near her home in Nova Scotia, lines of poems and stories come to her. She often writes and draws simultaneously in one sketchbook. All of her projects are inspired by a place in this way; she combines the magic that is found in the quiet details of a landscape with her love of folktales to imagine her many creations.

Her favourite thing to make is picture books, and she dreams of writing a novel.

Briana was born in Salem Massachusetts in 1981.

She made her first picture book in 1988 for a contest, at the age of seven. Her incredible first grade teacher, Mrs. Chronholm, noticed how much she loved to draw and write and encouraged her to enter the contest. Although Briana did not win, she experienced a process that has stayed with her into adulthood.  

In 2013, Briana reconnected with this childhood dream while drawing with her children at the kitchen table. She had been working as a fine artist since her graduation from the Massachusetts College of Art and Design in 2005. As the primary care giver for her growing family, she felt an increased constraint on the time she had to make her large still life oil paintings. This frustration, combined with two bouts of postpartum depression, landed her in a deep artist’s block in 2010. 

In 2013, something shifted. She drew a paper doll and cut it out for her daughter to play with. This simple activity created a joy that changed the course of her life. Briana felt a reconnection with her inner child, which ignited a new energy to create and share work that was inspired by her own childhood memories. Artful play, living close to the sea and in the woods, and re-imagining fairy tales became source material for her projects. Briana started this new path by making illustrations inspired by these childhood experiences, and vowed to follow her curiosity without question from then on. She broke her three year artist’s block when she created paper dolls as art kits, and she has been designing and selling them for a decade.  

Through the years, the paper dolls turned into characters for picture books, as well as puppets for stop motion animations. 

Following her curiosity without question led Briana to Sable Island, which became the subject of her first paper doll picture book published by Nimbus Publishing in 2018. Since then, Briana has relied on the ideas of play and curiosity to explore other themes, and she has created the images and words for eight books with Nimbus Publishing in a short five years. 

Her stop motion animation titled “The Happy Island,” combined her words, paper doll puppets, and oil painted landscapes to tell the story of how she creates her art in her new found “happy place” and was screened at the Lunenunburg Doc Fest in 2021. Her short animation called “Little Islands,” soothed the souls of lonely children after being featured on CBC during the Covid 19 pandemic. She has retold the story of Thumbelina in her picture book “Wildflower,” illustrated mermaid babies in her board book “Mermaid Lullaby,” and reimagined the “Twelve Days of Christmas.” The repeating patterns of her paper doll’s clothing and the endpapers of her books have become a line of wallpaper. Her second picture book titled “The Book of Selkie”, was short listed for the David Booth Poetry prize for Children in 2022. In her picture book “While You Were Sleeping,” (Nimbus, 2023) Briana made parents and caregivers shed a tear over the celebration of their invisible labour. Most recently, Briana returned to Sable island to teach a drawing workshop focused on using sketching to build memory.

Briana has shown her work in solo and group shows in Halifax and Boston, and her illustrations have appeared internationally in online features, films and magazines. As wonderful as all this is, the best place to find her is in her happy place, wandering the shore with her paints and writing stories by the sea.

Briana’s logo features an original block print of a moth. The moth is a symbol for an invisible world that exists in nature, overlooked. This is the main inspiration and focus of her paintings, stories, and poems. This symbol is directly taken from a poem she wrote in 2017.